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Photography, Causality & Connections

It has been a long while between posts and for anyone who has visited hoping to read some new material on this blog, my sincere apologies. I am still taking photographs and have recently meandered into the wonderful world of home developing my film as well as planning and starting to collect equipment to make my own darkroom. Perhaps more entries will be about these and more later, but for now I would like to talk about how Photography can sometimes really touch people, in unexpected and wonderful ways.

Let me explain; in the ‘RESPECT’ EXHIBITION (talked about in my last entry in February) I was a contributing photographer. Every contributing photographer donated money and a print to the exhibition, with the money going to Jeff (the wonderful chap whom the exhibition was a benefit for) and each contributing photographer got to choose another artists print in a random selection process (explained later). It was sort of like a giant print swap/charity event for a good cause. Anyhow, for the purpose of the print swap we all had a list of our preferences of prints and at a pre-opening function where all the contributers had gathered and the names of the participants were randomly pulled out of a hat. Once a name was picked out the photographer then got to choose their preferred print, a red dot popped beside it to say it was taken and so on.
Those whose names had not been picked out of the hat yet then had to cross those print(s) off their lists as they were claimed. It was an interesting (and slightly painful process) but all done in the good spirits of the sentiment behind the event.
Well, names kept getting called out and my listed choices were being scratched one by one, except for this one which I did have somewhere in my top twenty as I really liked the colours and compositions in the image, it was one I kept glancing across at, checking to see if it had been ‘claimed’ yet.
When my name finally got pulled out & I got to choose, and despite the majority (over 75%) of the prints being claimed, it was this print on my list of ‘possibles’ that was available and that I chose. As I mentioned, I had admired from a couple of meters away (& thus popped on my list), but not taken a really close look at until I chose it.

Carmel Riordan & Print

Perhaps to many people, it would be a very nice photo but maybe not much more; it is an image of these weathered old blue and red wooden seats at a sporting ground curving off into the distance (and mounted on really nice watercolour paper too I might add) – but when I went up to the print and read the title underneath, my breath literally caught in my throat and I had one of those ‘shiver down your spine’ moments.

The print was titled: “The Old Seats, Whitten Oval, Footscray” and it was by Photographer Carmel Riordan who lives and works in the Western Suburbs.

When I was a young lad, we used to visit my Grandmother and Grandfather (when he was alive) in their little house in Picket St, Footscray. We did this religiously every Saturday up until the time Nan Stephen died. Dad grew up in Footscray and my Grandfather had even played for the Bulldogs in the reserves for a while way back when. Needless to say, we were all big Bulldog supporters.

Dad would usually take us to the footy (at the Whitten Oval) at 3/4 time to watch the last quarter (and also because you got in for free at 3/4 time!) I have many fond memories of it, that was when the footy was only played on Saturday and the teams were all part of the VFL, not the AFL.
In summer Dad used to take me to watch the cricket there (but not a soften as the footy) and one day I got knocked out by a cricket ball that whacked me in the back of the head from some kids who were playing their own match in the area behind the seats.

So those were my memories of the Whitten Oval, but there’s one final poignant kicker. My grandfather LIVED for the Bulldogs and for the Footscray RSL. If he wasn’t at the RSL, he was at the footy watching his beloved Dogs play.
Anyway, one fine day when Pop was in his late 80′s he and an old mate were at the footy (once again, at the Whitten Oval) when the Dogs kicked a winning goal (not sure if this is entirely true but I like to think so) according to his friend, Pop was up on his feet cheering one minute and the next, his pal turned around and Pop was there flat on the ground, dead from a massive, quick, final stroke/heart attack/whatever. I think if Pop had to choose a certain way to leave this mortal coil, he may have chosen this way…(in  other words, what a way to go – a good way, I think, for him)

I usually didn’t think about any of that all that much in my teen & later years, but sometime in my 30′s when I got around to watching the documentary Year of the Dogs I found myself suddenly weeping inexplicably halfway through it….go figure.

So I reckon I was meant to get that print, but it does make me wonder at how the universe works in mysterious ways at times.
I sincerely hope I didn’t bore any of you with my story, but I had to share…

Respect

A photographic exhibition by the friends of Jeff Moorfoot

One hundred photographers show their appreciation for the hard work done by the Ballarat International Foto Biennale Director, donating some of their finest work to be sold on his behalf. A once in a lifetime opportunity to purchase works by these artists at a very modest price.

Works are on view at the Gallery from tomorrow and opening drinks are on Thursday Feb 11th from 6 – 8pm

Feb 8-28
at New North Gallery and Fine Art Printing
15a Railway Place Fairfield Vic 3078. Opposite Fairfield railway station.

PH: 9018 3081
e: david@newnorth.com.au e: michael@newnorth.com.au

Open Tuesday to Sunday 10am to 4pm.

Opening drinks Thurs. Feb 11th 6-8pm

Artists involved:
ABBOTT Colin, ADAMS Peter, AVELLINO Mark, BACHMAN Bill, BODIN John, BOWES Peter, BOWYER Julie, BROOK Fiona, BROWELL Anthony, BROWNBILL Sally, BUCKLEY Carolyn, BURDER Tim, BUTCHER Noel, CALLOW David, CHAPMAN Andrew, CIANTAR Alan, CLARK Alan, COYNE Michael, Da COSTA Nuno, DIAZ Maggie, DIEMER Kristin, DINAS Heather, Di PAOLO Lucy, DOVE Melanie Faith, DUCKWORTH Neale, ELMS Greg, EVANS Joyce, EVERTON Samantha, FARRELL Leo, FEIL Joseph, FLETCHER Gillian, FORD John, FRANKLIN Chris, GARWOOD Roger, GAULD Robin, GERHARD Andre, GILKES Brian, GLATTAUER Silvi, GODMAN Lloyd, GORDON-BROWN Susan, GRIFFITH Tim, HAMMOND Shireen, HARRINGTON Elda, HAWKES Ponch, HIRANO Masaki, HERZOG Naomi, HOUGH Julie, HOWLETT Fran, IMHOFF Robert, IOANNOU Ellii, JOHNS David, JOYCE Deb, KUMNICK Richar d, KURAVITA Philip, LANDT-ISLEY Karen, LARCOM Donna, LARCOMBE Randy, LASLETT Susan,LUKEY Brent, LUSZPINSKI Jarek, McFARLANE Jim, McKENZIE Ian, MEGALOUDIS Mercury, MIFSUD George, MILLOWICK Julie, MONROE Mark, NAOROJI Nadish, NEWITT Neil, NICHOLLS Lynden, O’SHEA Meredith, PAGE Colin, PECKHAM Senga, RIORDAN Carmel, ROESSLER Thomas, ROSS Carol, ROWE Tracey, QUILLIAM Wayne, SAAD Lisa, SALVATI Maurizio, SAWDON Elizabeth, SEIGERMAN Krystal, SHAIN Christopher, SILVER Michael, SIMMONDS Dave, SLEETH Matthew, SPOWART Doug, STEPHEN Cameron, STOREY Abby, STREET John, SUBLET Charlie, SYNDIKAS Alex, TAM Howard, TITZ Tobias, WATKINS Skip, WISEMAN Colin,WOLF Anna, WOLF Andrew

Polaroid to make Instant Cameras again! (& World Toy Camera Day Coming Up!)

Alex Syndikas at BIFB09 - taken with expired 600 integral film on a Polaroid 680 SLR SE

Photographer Alex Syndikas at BIFB09 - taken with expired 600 integral film on a Polaroid 680 SLR SE

Less than a month after the last of the Polaroid Integral Instant film cartridges passed their use by date wonderful news has been released by those luminous people at The Impossible Project. The Impossible Project who have been working tirelessly to keep the beloved instant film alive released an update stating that the Polaroid licensee – The Summit Global Group – announced at a press conference on October 13th in Hongkong that they will re-launch some of the most famous Polaroid Instant Cameras. The Impossible Project itself has been working with Harmon Kardon to produce a new integral B&W instant film which is to be released to the market in early 2010, followed by a new batch of integral instant colour film (in collaboration with a different European company) Read more press in the online British Journal of Photography.
Just a side note, I have included the Polaroid of Alex I took a few weeks ago at the last day party for the Ballarat International Foto Biennale ’09 because, well, one it’s a Polaroid and two, Alex became quite excited when he saw my SLR 680 was a ‘blue button’ edition camera and told me how (apparently) any owner of a blue button special edition Polaroid camera could, if unhappy with a shot taken with the camera, send it back to the company and get the film replaced for free, for the life of the camera. As he is obviously a Polaroid aficionado, I thought it only fitting to include his image captured on expired Polaroid integral film here, raising a toast to the good news!
WTCD 09
Even though it’s late notice, it would be remiss of me to forget to remind everyone that WORLD TOY CAMERA DAY is THIS WEEKEND PEOPLE!! That is October 17, 2009
The following has been pinched & paraphrased from the flickr World Toy Camera Day Group

Invented by Becky Ramotowski, who took the idea from World Pinhole Photography Day, World Toy Camera Day spawned a world wide annual event using toy cameras and shooting endless rolls of 120 and Polaroid film and even some crappy 35mm cameras too…and has been in circulation for nine years now. So on October 17, 2009 (this coming Saturday, remember) get your favourite plastic camera and take as many lo-fi exposures as you can! (and have FUN – that’s important!)

Scanning For Sprockets [Revisited]

A while back I tried to explain how to get sprockets holes from your toy camera negatives scanned to a digital file correctly. My text and images where not entirely the best method to explain it so now finally I have produced a long overdue tutorial on how to use your scanner software to scan in 35mm negative film to include the sprocket holes. This is relevant when you are using toy cameras like the blackbird,fly or have a Holga or Diana modified to take 35mm film (or if you have a 35mm back to fit these cameras) for example.
I’m using a Canoscan 8400f to scan my negatives, but hopefully there will be some common points of reference if you are using a different scanner and/or different software. *note: You may be able to see what I’m doing better by going to the full screen view.

Unsensored [Coda] & Upcoming Events

bifb09logo_2It’s been a busy year and it’s not over yet. Coming up in September is something I’ve been looking forward to for oh, 2 years now, since the last one! The Ballarat International Foto Biennale is about to kick off and anyone who is even vaguely interested in Photography would find more than enough to entertain and enlighten them in the month of September in the beautiful country Victorian town of Ballarat and it’s surroundings. Comprising 20 Core exhibitions, 60 Fringe shows, workshops, seminars, portfolio reviews, affiliate events, artist floor talks, camera market, special events…and much more it should be a fantastic start to Spring!
Then if that wasn’t enough, before we know it the next World Toy Camera Day will be upon us! That’s right, not long now, October 17, 2009 to be precise. There are other very funky thangs like HolgaPalooza happening at the moment, but perhaps I’ll get a chance to talk about that in my next post.

Finally I’ll leave you with a short movie filmed on the digital harinezumi. Wrapping up the last day of the Unsensored 09 exhibition at the Collingwood Gallery, Melbourne, Victoria on 19th August 2009. Covering the work of 43 artists using film in their photographic expression. Thanks to the committee and all who participated, exhibited, helped and attended. It was great!
Music: tiny beats by twoth – Lost films vol. 1 Powershovel Audio Allstars – www.powershovelaudio.com

Unsensored 09

Unsensored 09

Unsensored 09

Unsensored 09 – The Melbourne Silver Mine presents Unsensored 09 an exhibition of analogue photography. Now in it 3rd year, The Melbourne Silver Mine’s UNSENSORED09 is the work of 43 artists using film in their photographic expression. Opening night Friday 7th August 2009 6pm at The Collinwood Gallery 292 Smith St Collingwood, Melbourne. The exhibition runs from the 7th – 19th of August. Mon-Fri 12pm -8pm | Sat & Sun 10am – 6pm.
The exhibitions official website is here.

Melbourne in Winter

This post is not about photography or toy cameras per se, but about Melbourne at night this Winter. I went to the excellent Dali – Liquid Desires exhibition at the National Gallery of Victoria late night and afterwards wandered around with my BBF attached to a tripod, shutter set on “B” for some night exposures. In Federation Square they had this great installation set up called VOLUME. It’s an audio visual installation made up of LED embedded pillars which respond with light and audio to people walking around them. It’s absolutely facinating and has to be experienced to truly appreciate it. This short video captures some of the ambience of thi audio-visual installation, which currently at Federation Square in Melbourne as part of The Light in Winter 2009 events. Some of the video is captured with the Digital Harinezumi by Superheadz and some on a more conventional Kodak M1093S camera. All audio is actual sound from the installation (and ambient surrounding noise)

VOLUME from artpunk on Vimeo.

‘Sometimes We Yearn For The Dream’

web bridge figure Apologies for a general lack of content and updates. Dealing with a busy work environment (thank you Swine Flu!) and family life has left me with less time and energy than I normally would have. I am still taking photos when I can, of course. Thanks to a contact on flickr who pointed me to a Wired article on the blackbird,fly with a brief chat with Powershovel’s Hideki Ohmori. You can read the article here: Why a Plastic Camera Pioneer Reinvented Lo-Fi Film Shooters. I like his reply when asked why he was obsessed with film, where he explains that we can appreciate the quirks of film more so now we have digital to compare it with and says “We do not always want a faithful representation of reality. Sometimes we yearn for a dream.

In other news I was browsing a local “Opportunity Shop” the other day and spied an Olympus XA camera with flash in it’s original box for a modest amount.

Olympus XA

Olympus XA

Sure, it isn’t a toy camera, but I do shoot with other film cameras from time to time and had heard some good things about this camera, so I made a note to go back there with some money, but my youngest chose that time to fall off the school playground equipment and fracture her radius. So off to the hospital we went. By the time we left the hospital the shop was shut, but thankfully the camera was still there the next morning. I will be taking the camera loaded with film out soon and report back with example photos. There is so much more I have to share with you good readers, but that will have to wait a few days as unfortunately, work beckons again!

Pinhole Day and a Quick 1st impression of Harinezumi

Pears WPPD 09

Pears WPPD 09


This years Worldwide Pinhole Photography Day (last Sunday) was less than optimal (for me) for a lot of reasons. The weather was shocking, we had power failures, my computer froze when the power finally came back on and I was suffering from the jet-lag feeling that comes from just finishing night shift and having to adjust your body clock through a 12 hour 180º shift within a day…
Apart from those factors, I had fun and actually managed to grab a few pinhole exposures that I thought were not too bad (not brilliant either however). My two cameras of choice this year were my converted Polaroid EE66 with Polaroid 125i pack film and my Holgamods Pinholga using type 84 packfilm. I started the day with little coffee cups and ended (as I seem to do) in the kitchen with some fruit…

I‘m having a lot (A LOT) of fun with the Digital Harinezumi.

Harinezumi by Harinezumi

Harinezumi by Harinezumi

This probably has a lot to do with how much it reminds me of using an analogue toy camera. When in still capture mode, you do not get a LCD viewfinder mode, you have to estimate what you are capturing (and anyone who uses toy cameras will know that their viewfinders are less than accurate) You also have the option of turning off the review mode of the camera so that you won’t know what you have got until you download the images to your computer (so I suppose that’s the digital equivalent of waiting to get your film developed).
In movie mode, they’re is no audio as such, there is a bit of white noise. I think it may have been fun if they had the option of the whirr of an old 8mm camera sound as well as the movies generated by the camera remind me of those and the results look very analogue, like some old family home movies from the 1960′s.
Macro Toes by Harinezumi

Macro Toes by Harinezumi


The colours are kick-ass funky and similar to some sort of weird cross processing type of thing going on…
As you can see from some of my initial test images, the macro function (two choices of focus here macro or normal) works very well. There is nice grain in lower lighting conditions, feeling more reminiscent to me of film grain than ‘digital’ grain. I could go on and probably will, when I do an ‘out of the box’ video review of this little electric hedgehog later on this week, but I remain impressed with what Powershovel & Superheadz have come up with.