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	<title>The Plastic Lens ~ Photos &#187; door</title>
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	<link>http://www.theplasticlens.com</link>
	<description>The Photography of Cameron Stephen</description>
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		<title>The Wall</title>
		<link>http://www.theplasticlens.com/2009/the-wall/</link>
		<comments>http://www.theplasticlens.com/2009/the-wall/#comments</comments>
		<pubDate>Mon, 13 Jul 2009 01:27:08 +0000</pubDate>
		<dc:creator>Cameron</dc:creator>
				<category><![CDATA[Colour]]></category>
		<category><![CDATA[Diana]]></category>
		<category><![CDATA[abstraction]]></category>
		<category><![CDATA[bricks]]></category>
		<category><![CDATA[Diana 151]]></category>
		<category><![CDATA[door]]></category>
		<category><![CDATA[fence]]></category>
		<category><![CDATA[shapes]]></category>
		<category><![CDATA[square format]]></category>
		<category><![CDATA[suburban]]></category>
		<category><![CDATA[wall]]></category>

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		<description><![CDATA[A suburban wall in a suburban car park. What appealed to me about this wall is the bright white loading doors against the brick, the slowly sagging chain-link fence and the blue, blue sky above the whole scene. Using asa 100 film in a camera like the original Diana is pushing it a bit but [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.theplasticlens.com/wp-content/2009/07/wall.jpg" alt="The Wall" title="wall" class="aligncenter" /></p>
<p>A suburban wall in a suburban car park. What appealed to me about this wall is the bright white loading doors against the brick, the slowly sagging chain-link fence and the blue, blue sky above the whole scene. Using asa 100 film in a camera like the original Diana is pushing it a bit but if you open the aperture right up and have enough light around, it can really add some interest to a shot I have found.</p>
<p>Camera: Diana 151  &nbsp; &nbsp; Film: Konica CT-100S</p>
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